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User Name Thread Name Subject Posted
Stringsinger The current state of folk music in UK (2105* d) RE: The current state of folk music in UK 16 Oct 19


This is not a legit discussion of semantics. It's a process of identification. What is folk?
It's a kind of music that when you hear it, you know what it is. When you hear a traditional singer who emanates from a specific area and has grown culturally in that area usually taught by parents or community that is generally isolated from other forms of music found on the radio, TV or movies, and is not prized for showmanship or popularity, then it's probably folk music. If you hear these traditional singers regardless of ethnicity, you know it's the real deal.

Punk Rock is a genre borne of a style of music that is part of the overall rock music genre which is a kind of manufactured music for a specific market. Some of it is quite musical, lyrically sophisticated and worthy of a listen. Some of it is pure hokum.

This can be said for some forms of folk music as well. Texts become bowdlerized, obscure requiring footnotes and some singers are better than others, pitch being truer, vocal production fuller, or instrumental players, some great others mediocre. Just because it's folk doesn't make it better but it does make it folk.

The current state of UK folk music has been obscured by the popular entertainment field.
There is no question that folk music has influenced the pop market as it has classical music but it ain't folk. Folk music is an acquired taste. You have to listen with a different set of ears. When you do, it's rewarding and unlike other forms of music.

The tradition of pub singing is viable in my opinion. You hear ballads in them, songs that you wouldn't hear otherwise and if a folk club is this, I think it works. If it's just a warmed over pop music with out of tune electrified guitars and sounds for the purpose of assaulting the listener or hyping them up into a frenetic contemporary "tarentella",
then it becomes boring quickly.

What Jim is advocating as traditional singing or playing is only appreciated upon listening, participating, suspending judgement reserved for evaluating other musical forms, and learning it and about it. It stands alone.




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